Tag Archives: whaling

Stoved!

-->

This is one of the pieces in the Verdant Works Exhibition ‘The Arctic Whaling Year’, Autumn 2018.  Early, non-industrialised whaling was a dangerous activity.  When lookouts on a whaling ship saw a whale, the whaling boats were lowered and quietly rowed towards the whale. These boats were smaller than the whales they were hunting and […]

Cape Farewell

-->

This is one of the pieces in the Verdant Works Exhibition ‘The Arctic Whaling Year’, Autumn 2018.  Whalers were as superstitious as any other sailors and had many rituals which they observed.  They also amended rituals for the circumstances they found themselves in. A good example of this is the crossing the line ceremony. This […]

Sealing

-->

This is one of the pieces in the Verdant Works Exhibition ‘The Arctic Whaling Year’, Autumn 2018.  As whaling decreased the populations of whales, the whalers hunted other marine mammals to maintain their profitability.  Seal skins were a valuable commodity and to maximise the economic return, whaling ships could leave earlier from British ports, pick […]

Posted in Current Work, Textiles, Uncategorized |

Victualling

-->

This is one of the pieces in the Verdant Works Exhibition ‘The Arctic Whaling Year’, Autumn 2018.  Whaling ships setting off to the Arctic had to be self-sufficient in all they would need for the long summer whaling season. They took everything from harpoons, spare whaling boats and rope to extra clothing and canvas.  They […]

Posted in Current Work, Textiles | Also tagged

Calling At Shetland

-->

This is one of the pieces in the Verdant Works Exhibition ‘The Arctic Whaling Year’, Autumn 2018.  Many whaleships from English and Scottish mainland ports called into Orkney and Shetland to pick up further supplies and additional crew.  The whaling agent Hay and Co in Lerwick, Shetland recruited local men, who were good sailors and […]

Posted in Current Work, Textiles, Uncategorized | Also tagged , ,

Commission for Whalebone pub

-->

My artist statement currently states that “I make work inspired by Moby Dick and British Arctic Whaling, inspired by my travel and research. I am aware that this is quite a niche practice, but I carry on regardless, and for once this approach has paid off! The White Hart in Downham Market, Norfolk has been […]

Posted in Blog, Current Work, Textiles | Also tagged , ,

The 22nd Moby Dick Marathon at New Bedford Whaling Museum

-->

The Moby Dick Marathon at New Bedford Whaling Museum in New Bedford, Massachusetts is a (near) continuous read of the novel over 24 hours Saturday to Sunday of the first weekend of the year by a range of Melville enthusiasts, and is in it’s 22nd year.  For the last couple of years I have followed […]

Posted in Blog | Also tagged

Arctic whaling and the Shetlanders

-->

There are many places nearer to my home in Norfolk than Shetland that have material about Britain’s Arctic Whaling Heritage so why spend a month Shetland researching it?  Well, I got to be artist in residence at Bressay Lighthouse for the whole month of July with a huge studio space to start to develop work […]

Posted in Blog | Also tagged , , , , ,

Shetland and its Whaling Heritage

-->

My practice, built around British Whaling and Moby Dick is rather niche. Generally I have to explain the whys and wherefore of the British whaling trade to people when I discuss my work.  It’s been very different during my month in Shetland. The most common response to my describing my work to the locals has […]

Posted in Blog | Also tagged ,

Melville at Kings 2017

-->

At the end of June the Eleventh International Melville Conference took place at King’s College in London.  I was fortunate enough to be invited to talk about my work at the British Library as part of this event. A range of artists including writer Philip Hoare, film maker David Shaerf, curator Michael Hall and actor/director […]

Posted in Blog, Uncategorized | Also tagged ,

Categories