My co-curator Fiona turned to me and said, ‘This isn’t an exhibition about Moby-Dick you know’. I had bought a copy of the book for possible display in the exhibition, one of my 50 odd versions, the one that laid open flat best. ‘But it is for me’, I replied. ‘I found William Scoresby through Moby-Dick.’ This is all about …
I’m just back from an amazing trip to Dundee for the installation and opening of my exhibition ‘The Arctic Whaling Year’ at the Verdant Works. The exhibition has been over a year in the making, but much, much longer in gestation. As I have been researching British Arctic Whaling I have pondered the idea of doing a series of work …
This is one of the pieces in the Verdant Works Exhibition ‘The Arctic Whaling Year’, Autumn 2018. British Arctic Whaling started around the 1600s after sailors sailing up into the Arctic north of Norway for walrus discovered large numbers of whales in the bays around Spitsbergen. At the time it was thought that Spitsbergen was connected to, and part of, …
This is one of the pieces in the Verdant Works Exhibition ‘The Arctic Whaling Year’, Autumn 2018. Many whaleships from English and Scottish mainland ports called into Orkney and Shetland to pick up further supplies and additional crew. The whaling agent Hay and Co in Lerwick, Shetland recruited local men, who were good sailors and cheap to employ, to act …
There are many places nearer to my home in Norfolk than Shetland that have material about Britain’s Arctic Whaling Heritage so why spend a month Shetland researching it? Well, I got to be artist in residence at Bressay Lighthouse for the whole month of July with a huge studio space to start to develop work in response to my research …
My practice, built around British Whaling and Moby Dick is rather niche. Generally I have to explain the whys and wherefore of the British whaling trade to people when I discuss my work. It’s been very different during my month in Shetland. The most common response to my describing my work to the locals has been ‘oh yes, my grandfather …
An important component of my art practice is research. It informs and nudges my work. Accuracy in some ways is vital to me, as is the ability to play with imagery, text and other found content. Quite often I will collect something with no real reason or plan for its use, but am guided by a gut instinct that it …