My practice, built around British Whaling and Moby Dick is rather niche. Generally I have to explain the whys and wherefore of the British whaling trade to people when I discuss my work. It’s been very different during my month in Shetland. The most common response to my describing my work to the locals has been ‘oh yes, my grandfather …
At the end of June the Eleventh International Melville Conference took place at King’s College in London. I was fortunate enough to be invited to talk about my work at the British Library as part of this event. A range of artists including writer Philip Hoare, film maker David Shaerf, curator Michael Hall and actor/director Shelley Piasecka talked about and …
Cetology – A series of handmade books based on Melville’s classification of whales in Moby Dick I’m unaware of any artist who has tried to tackle Melville’s bookish classification system for whales in this way. Having finally managed to complete them I’m pretty sure why! As a printmaker and maker of artists’ books I was drawn to Chapter 32 Cetology …
After visiting Burton Constable near Hull in spring 2015 I put a project together with the curator to fund a residency for me. Following a successful application for Grants for the Arts funding I spent over 30 days, spread over eight months working in and around the barn with the whale skeleton. I used my drawing of the skeleton and …
In recent years I have been fortunate to see and photograph some of the old Arctic whaler log books held in Hull History Centre and Hull Maritime Museum. I have then used my photos to transcribe the entries. I’ve been fascinated as the individual voyages unfold, reading of the frustrations of the captain not catching whales when other ships had, the tragedies of losses …
One of the defining things about being British is our obsession about the weather. It is a safe topic of conversation and a source of constant interest. But our climate is also generally benign so it’s rarely more than an inconvenience (more of that in another post…) For the last few years an important component of my practice has been …
An important component of my art practice is research. It informs and nudges my work. Accuracy in some ways is vital to me, as is the ability to play with imagery, text and other found content. Quite often I will collect something with no real reason or plan for its use, but am guided by a gut instinct that it …
Last year, when I was just starting my artist in residency at Burton Constable, I was “in residence” for the weekend of the Cornucopia Festival. For three days whilst the sun shone and music played I sat in the barn with the sperm whale skeleton and talked to festival goers about my work. I had a fantastic time. In the …
Wondrous Whale. Sewn whale skeleton, screen printed map, quilted textile. Inspired by the Burton Constable Sperm whale skeleton mentioned in Moby Dick and door panels in the Chinese Room in the Hall. Made as part of my Residency at Burton Constable in 2015/16.
Bower. Screen print. Inspired by the Burton Constable Sperm whale skeleton mentioned in Moby Dick, Moby Dick Chapter 102 Bower in the Arsacides, the Red Frieze in the Gallery in the Hall and a pub sign. Made as part of my Residency at Burton Constable in 2015/16.